Tables Masterpieces Reproductions

French Rocaille Louis XV style ormolu mounted marquetry Jewelry table after the model Table A Ouvrage Louis XV by François Linke which was one of Linke’s Furniture at the Paris Exposition Universelle 1900, The tear shape bijouterie is chased and ornamented with gilded ormolu mounts, The tray is lifted of rounded shape with its shell and branches, the reverse side decorated with marquetry pattern of a swan landscape in a pond protected by a fountain, the interior with compartments upholstered with velvet fabric resting on three curved slender legs with ormolu acanthus leaves sabots
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Ref#T-1624 | Description

Antique Taste elaborate copy of the French Rocaille Louis XV style ormolu mounted marquetry Jewelry table after the model Table À Ouvrage Louis XV by François Linke which was one of Linke’s Furniture at the Paris Exposition Universelle 1900,

The tear shape bijouterie is chased and ornamented with gilded ormolu mounts, the tray is lifted of rounded shape with its shell and branches,

The reverse side decorated with marquetry pattern of a swan landscape in a pond protected by a fountain,

The interior with compartments upholstered with velvet fabric resting on three curved slender legs with ormolu acanthus leaves sabots.

Ref# T-1624

45-76-75cm

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François Linke

Francois Linke (1855-1946) was arguably the leading Parisian cabinetmaker of the Belle Epoque the glittering age of fashionable French society, whose influence was felt throughout the world.

Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. Together with Leon Message he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'.

This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendome as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers.

After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946.

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